If Netflix absorbs Warner Bros., the far left will secure a cultural monopoly unmatched in American history. This would place iconic franchises, mass distribution platforms, and elite political influence under a single ideological command structure.

Most coverage treats Netflix as a hybrid of Hollywood and Silicon Valley. That framing misses the decisive fact: The company already operates well inside the Democrat political ecosystem. Susan Rice’s role on Netflix’s board makes that unmistakable.

Susan Rice, Reed Hastings, Barack Obama, and their allies stand within reach of the most powerful political messaging system in American history.

Rice joined Netflix’s board in 2018 after serving in senior positions in the Obama administration. She returned in 2023 after leading Biden’s Domestic Policy Council. Her career spans national security, intelligence, and domestic governance, placing her at the intersection of political power and narrative control.

Rice represents a specific governing class. She served as Obama’s national security adviser and later ran domestic policy for Biden, exercising authority over both foreign and internal priorities. She has shown a willingness to use state power for partisan ends, including her role in the unmasking of Trump transition officials. She has also promoted the most aggressive progressive social policies, including medical interventions for minors under gender ideology.

Rice understands that political power does not rest solely on legislation or elections. It rests on shaping public perception. Institutions that control culture define what ideas appear reasonable, what questions seem illegitimate, and which outcomes feel inevitable.

That instinct was clear in her 2019 New York Times op-ed, “When the President is a Bigot, the Poison Spreads,” in which she accused President Trump of “overt racism” and “almost daily attacks on black and brown people.” The piece functioned less as analysis and more as moral instruction issued from elite authority.

Since returning to Netflix’s board, Rice has intensified her attacks on the Trump administration. She accused Vice President JD Vance of showing “fealty to Vladimir Putin” and derided Trump as a “surrender monkey” for resisting constant military escalation. These are not isolated remarks. They reflect an entrenched worldview that treats deviation from the foreign policy consensus as disqualifying.

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Rice’s presence alone should concern anyone who values media pluralism. A Netflix acquisition of Warner Bros. would raise the stakes dramatically. Such a merger would consolidate production, distribution, and political alignment inside a single corporate structure.

Warner Bros. controls some of the most influential properties in American entertainment, including DC Comics, "The Lord of the Rings," Harry Potter, and a deep film and television catalog. These assets shape cultural imagination at scale. No serious observer believes they would remain politically neutral under unified ideological control.

Netflix’s existing output already shows how entertainment becomes a delivery system for political messaging. Iconic characters are refashioned to signal progressive virtue. Narratives favor mass migration, abortion, and sexual politics without engaging dissent. Ideology enters through repetition rather than argument.

The most consequential impact would involve foreign policy and the national security state. Entertainment does not debate policy; it conditions instinct. Audiences absorb stories that normalize permanent crisis, global intervention, and moralized obedience to authority long before they encounter those ideas in political form.

Rice is not operating alone, obviously. Netflix founder and chairman Reed Hastings is a major Democrat donor who tried to blacklist Peter Thiel in 2016 for supporting Trump. That same year, Netflix signed Michelle and Barack Obama to a reported $50 million production deal, renewed in 2024 for an undisclosed amount.

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These relationships form a coherent network. Political power feeds cultural production. Cultural production shapes public opinion. Distribution ensures saturation. The loop closes without voters ever being asked.

My organization, the Oversight Project, will soon release an interim report examining Netflix’s role in social engineering under the guise of entertainment. The report documents how elite political priorities migrate into mass culture through corporate platforms that present ideology as entertainment.

A constitutional republic depends on a citizenry capable of self-government. America’s founders emphasized this repeatedly, and the First Amendment reflects their concern. Self-rule requires access to information and culture that are not filtered through ideological monopolies.

When dominant media platforms operate as unified political actors, that condition erodes. Citizens no longer encounter competing interpretations of reality. They receive moral direction from institutions that treat politics as settled doctrine.

A Netflix-Warner Bros. merger would accelerate this consolidation. It would fuse cultural memory, creative output, and political alignment into a single apparatus. The result would not be persuasion but control through saturation.

Susan Rice, Reed Hastings, Barack Obama, and their allies understand what is at stake. They stand within reach of the most powerful political messaging system in American history. President Trump must not allow it.